Eoin Harrington

Born and raised in Dublin, Ireland, singer/songwriter Eoin Harrington now resides in San Francisco where his music has already earned him a legion of fans, and garnered the attention and accolades of numerous heavyweights across the West Coast and beyond. Along with a passionate vocal style and an energetic stage presence, Eoin Harrington’s music captures the best elements of catchy, "danceable" pop-rock jams, with a touch of classic “Blue Eyed Soul” for good measure. The result: infectiously catchy songs filled with savage, memorable, hooks, delivered by one of most intriguing new voices to hit the music scene in years.



Since taking California by storm only a few short years ago, Eoin has shared the stage with the likes of Switchfoot, Thriving Ivory, Tristan Prettyman, Alanis Morissette, Paddy Casey and Back Door Slam. He has performed live on San Francisco’s radio icon KFOG and on Alice 97.3 FM, and recently premiered his new hit “Move Along” live in-studio on San Francisco’s KRON 4 TV. His song “Love So Right” earned regular rotation on KFOG and was featured on the station's “Local Scene Vol. 2” CD. Eoin also contributed the song “What If “ to the soundtrack for the 2007 MGM distributed release “Her Best Move”, and has written music for various other Film and TV projects. Eoin's debut studio album is finally here so download away to your hearts content and feel free to spread the word.



Eoin and Juliette Lewis after the Show.



Eoin and Alanis Morissette



Eoin and the lads from Switchfoot



Eoin and Brandi Carlile



Eoin and The Fray



Eoin and The Pussycat Dolls



You can contact Eoin's facebook at the following link:



REVIEW - The Chronicle



If anything, this year's seasonal offering from Talking House Records, "A Foggy Holiday, Vol. 2," is even better than last year's. The lineup on the new disc is a who's who of Bay Area performers, including the Matches, the Trophy Fire, Loquat, the Lovemakers and the May Fire. Eoin Harrington almost sizzles with "O Holy Night," without ever detracting from the carol's gentle grace. It's hard to pick a favorite from the 14 cuts on the album, so I won't. Loved the Matches' punk-rockabilly energy on "Happy New Year," the ironic understatement of the May Fire's "It's a Marshmallow World" and "Last Christmas" by the Trophy Fire. You'll worship the Heavenly States forever for proving that "The Little Drummer Boy" can be performed without sounding tedious. Loved the Queen references in Scissors for Lefty's "Have Yourself a Merry Little Christmas."