Eek a Mouse

Started in the early 80's. He comes up as One of the original/best "Dance Hall" innovators/artists ever! “Da Mouse” how his friends call him lovley has an unmistakable voice and style which is making him a unique personality in Jamaican music. Ripton Joseph Hylton stylized stylee as a Ragga-Dancehall

Slim Gailliard in a spacey spo-dee-yo-dee heidi-ho mood was once a novelty in his native Jamaica. Now, though, with his voice a mix of high-pitched vocalese, rugged rapping, soul-swallowing chants and pirate-radio sloganeering, Mouse is now one of reggae's most raw in a genre becoming too slick.

Though his choppy, sticky delivery may seem hilarious, Mouse is a social commentator of the first degree and one more fun than the rest of them. Eek A Mouse live shows are natural, ludicrous, bizarre, uniquely and original.

Fans of the punk-dub crown worn by the Clash throughout the latter 70s/early 80s will remember Eek as a constant collaborator and touring partner to Strummer, Simeon and Jones. Perhaps that punk period made him poke his nose into the implications of ragga-rock as he mashed the forms with his crunching cover of Zeppelin's "D'Yer Maker."

On Satellite,. Eek-A-Mouse, the renowned Jamaican artist, appears in

his music people to refrain from violence, and cruelty towards others, and focus their lives on love and peace.

Da Mouse life philosophy is respect minoritys “perhaps you belong to one”.

(c) by Parkercom



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