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DORIA ROBERTS PRESS QUOTES
"A searing sunset performance of intense, incendiary and eloquently literate folk and soul from one of Atlanta's busiest and brightest artists. While also internationally known as an activist and educator, Roberts' finest work is her intimate yet communal rapport with -- and command of -- an audience." (Creative Loafing - Atlanta)
"She is not the kissing, foreplay or complication of sex; she is the all-encompassing orgasm that leaves you breathless, shaking and ready for more. (Lambda Magazine - North Carolina)
"Roberts grafts the whip smart elocution of Ani DiFranco to the soul of Lauryn Hill". (Atlanta Journal Constitution)
"To see Doria Roberts on stage is to love her and to love her, if you are a straight male, is to walk away brokenhearted. The lady has chops and her live show, a spicy blend of passion, bohemian folk and jazz, will make you feel like you've been ridden hard and put away wet. She's angry, she's black, she's beautiful, she's smart, she swears a lot, she's sexy as hell, she plays guitar, she's intense, she's a lesbian and she's a killer lyricist." (Hippo Press - Weekend Arts Feature - Manchester, NH)
"No ordinary folkie, Roberts street wise sass and skilled but unpretentious guitar prowess immediately puts her step above the rest". (Creative Loafing Charlotte, NC)
"Songs straight out of the personal diary served with style and grace." (Creative Loafing)
"A delicious, almost indescribable but most definitely bohemian blend of folk, rock and jazz." (Flagpole Magazine Athens, GA)
"All acoustic based but with a fullness and variety that defies to categorize her music as simply folk, Roberts topical tunes are smoothly mellow, yet have a jazzy/bluesy bite which keeps you intrigued and entertained. Sexy, forthright and extremely talented". (Atlanta Press)
"Her lush, tightly woven songs communicate and breathe instead of resorting to the heavy handed proselytizing of some sociopolitical rock. This is music that gets under your skin." (Houston Voice)
"Her live album is a captivating canvas of intensely emotional songs anchored by a solemn but confident guitar and fueled by Roberts fiery vocal delivery and heart wrenching lyrics." (Weekly Planet Sarasota/Tampa)
DORIA ROBERTS BIO
Internationally touring, Atlanta based singer/songwriter Doria Roberts was born and raised in inner city Trenton, NJ but schooled in the neighboring yet decidedly more affluent Princeton, NJ. Her first introduction to music was her sisters vinyl record collection including the Brothers Johnson, Marvin Gaye, the Sugar Hill Gang and Ricki Lee Jones. A dancer from the age of 3, she was exposed to classical offerings during ballet class, ragtime during tap training and pop music in her modern jazz dance lessons. By age 10, she was starring in musicals in local children's theater and choral productions once performing a lead role in Gilbert & Sullivan's classic HMS Pinafore. At age 17, she produced her first event directing, staging, acting in, and even promoting the topically controversial play Laundry and Bourbon as part of her senior project.
By the time she was off to college, she had incorporated the likes of Public Enemy, De La Soul, and the uber literate hip hop of KRS One into her listening repertoire. While toiling away as a scholarship student at the University of Pennsylvania, majoring in East Asian Studies (with side bars in linguistics, business and art history) and aspiring to be an executive art dealer in Tokyo, she discovered the power folk of the Indigo Girls, Bob Dylan and Joni Mitchell storytelling, the tortured brilliance of John Coltrane and Jimi Hendrix, along with the quirky punk, tongue in cheek rebellion of Public Image Limited and black rock ska outfit Fishbone. And, like many women of her generation, she stumbled upon the rising star and fierce, feminist zeitgeist Ani DiFranco during an unplanned trip to a New York City dive.
However, Roberts was still only an observer and lover of music throughout college and didn't become a musician herself until senior year when a series of life changing events redirected her priorities. She picked up a roommates beer stained guitar for comfort and the lessons of the Tao Te Ching won over the Dow Jones.
In 1999 (i.e. 6 years and 100 coffeehouses later), she won a slot to appear at Lilith Fair and was poised to sign a major label deal along with Atlanta based peers John Mayer and India Arie. However, a dubious piece of legislation changing copyright law in favor of the labels prompted the activist in Roberts to step away from potentially lucrative offers and release her own record. Though originally intending to simply wait out the storm, Roberts eventually found herself at the helm of her own label instead.
Since then she has released and self produced six independent and nationally distributed records on her imprint Hurricane Doria Records, has appeared at the internationally recognized Montreux Jazz Festival and has headlined Gay Pride events in Atlanta, Los Angeles, Stockholm, Melbourne and Sydney, Australia. She has also opened for or shared the stage with the late legendary folk singer Odetta, Janis Ian, the Indigo Girls, John Mayer, blues legends the Holmes Brothers, Chris Smither avant-garde R&B priestess Meshell Ndegeocello, world music darling Angelique Kidjo, the late poet laureate Gwendolyn Brooks, Pulitzer Prize winning author Alice Walker, Oscar winning actress Jane Fonda and many others.
In 2004, she was awarded both the Anderson Leadership Prize from the National Gay & Lesbian Task Force and the Orfeo Musica Humanitarian Award from the Tupilak Arts Consortium-Nordic in Stockholm, Sweden. Both awards were given in recognition of her willingness to fuse her music with her activist work and for creating major performance opportunities and outlets for other independent artists and youth at risk. She was also nominated for the 2005 Collin Higgins Courage Award.
Currently, she is the sole producer of the 11 year old Queerstock Festival & Tour, the Black Eyed Susans Tribute Series and various other fundraising and awareness events.
Roberts has finally finished recording her sixth release and the CD entitles "Woman Dangerous" is out. It was recorded at the venerable Treesound Studios (Elton John, Outkast, Indigo Girls, Collective Soul, Usher) in Atlanta, GA and co-produced by Zack Odom. On this major indie effort, Roberts once again effortlessly and seamlessly melds her diverse musical heritage into a solid set of provocative musings on life and love and everything that happens in between.
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