Blossom Dearie feels biographical information from encyclopedias and histories is old hat, outdated, and counter productive and would rather talk about her present and future plans. Starting with the present, she is currently performing at Danny's Skylight Room on West 46th Street(NYC) which she hopes will be a long engagement for her and many of her colleagues. She has received raves about her musicianship, songwriting, sing, piano playing and wit by everyone of importance in the music world. Everyone knows her and loves her.
Her musical roots are in jazz as well as popular song, but her voice and style are uniquely hers ("chic, sleek and squeeky-clean, a voice in a million" says Leonard Feather in the Los Angeles Times). She often tours in Europe, Australia and across the globe performing her light-hearted, fanciful and funny songs for sophisticated audiences. Her very special repertoire ranges from Gershwin, Porter, Rodgers and Hart and Johnny Mercer favorites to comic gems by John Wallowitch and Dave Frishberg and romantic ballads she composed herself to lyrics by Jack Segal. Early in her New York Career she recorded six albums for Norman Granz's Verve. The following four have been re-released: "Blossom Dearie," "Once Upon A Summertime," Give Him The Ooh-La-La," and "Sings Comden & Green," and "Verve Jazz Masters 51: Blossom Dearie." Two coming up in 2002 are "Soubrette Sings Broadway Hit Songs," and "My Gentleman Friend." her more recent recordings are available on her own label, Daffodil Records. A further project is making an autobiographical video. Rex Reed called her "one of New York's treasures," in the New York Observer, while Rogers Whittaker of The New Yorker asserted that her performances range "from the meticulous to the sublime." And Blossom says they appeal to all ages.
Blossom listens to CD 101.9 every day on radio, and loves cool jazz. She spends her spare time at the Blue Note listening and learning from the elite in the music world, whom she loves and adores. She feels on thing missing from present day songs is humor and plan to include some funny songs in her next CD. At the present time the Blossom Dearie Trio is blessed with Ray Kilday, playing bass, and Dave Silliman, Playing drums. Blossom is fortunate to be working with such superb musicians.
That said, here's a bit of biographical data anyway.
Born 28 April 1928, East Durham, New York, USA. A singer, pianist and songwriter, with a "wispy, little-girlish" voice, Dearie is regarded as one of the great supper club singers. Her father was of Scottish and Irish descent; her mother emigrated from Oslo, Norway. Dearie is said to have been given her unusual first name after a neighbour brought peach blossoms to her house on the day she was born. She began taking piano lessons when she was five, and studied classical music until she was in her teens, when she played in her high school dance band and began to listen to jazz. Early influences included Art Tatum, Count Basie, Duke Ellington and Martha Tilton, who sang with the Benny Goodman band. Dearie graduated from high school in the mid-40s and moved to New York City to pursue a music career. She joined the Blue Flames, a vocal group within the Woody Herman big band, and then sang with the Blue Reys, a similar formation in the Alvino Rey band.
In 1952, while working at the Chantilly Club in Greenwich Village, Dearie met Nicole Barclay who, with her husband, owned Barclay Records. At her suggestion she went to Paris and formed a vocal group, the Blue Stars. The group consisted of four male singers/instrumentalists, and four female singers; Dearie contributed many of the arrangements. They had a hit in France and the USA with one of their first recordings, a French version of "Lullaby Of Birdland". While in Paris, Dearie met impresario and record producer Norman Granz, who signed her to Verve Records, for whom she eventually made six solo albums, including the highly regarded My Gentleman Friend.
Unable to take the Blue Stars to the USA because of passport problems (they later evolved into the Swingle Singers), she returned to New York and resumed her solo career, singing to her own piano accompaniment at New York nightclubs such as the Versailles, the Blue Angel and the Village Vanguard. She also appeared on US television with Jack Paar, Merv Griffin and Johnny Carson. In 1966 she made the first of what were to become annual appearances at Ronnie Scott's Club in London, receiving excellent reviews as "a singer's singer", whose most important asset was her power to bring a personal interpretation to a song, while showing the utmost respect for a composer's intentions. In the '60s she also made some albums for Capitol Records, including May I Come In?, a set of standards arranged and conducted by Jack Marshall.
In the early '70s, disillusioned by the major record companies' lack of interest in her kind of music, she started her own company, Daffodil Records, in 1974. Her first album for the label, Blossom Dearie Sings, was followed by a two-record set entitled My New Celebrity Is You, which contained eight of her own compositions. The album's title song was especially written for her by Johnny Mercer, and is said to be the last piece he wrote before his death in 1976. During the '70s Dearie performed at Carnegie Hall with former Count Basie blues singer Joe Williams and jazz vocalist Anita O'Day in a show called The Jazz Singers. In 1981 she appeared with Dave Frishberg for three weeks at Michael's Pub in Manhattan. Frishberg, besides being a songwriter, also sang and played the piano, and Dearie frequently performed his songs, such as "Peel Me A Grape", "I'm Hip" and "My Attorney Bernie". Her own compositions include "I Like You, You're Nice", "I'm Shadowing You" and "Hey John". From 1983, she performed regularly for six months a year at the Ballroom, a nightclub in Manhattan, and in 1985 was the first recipient of the Mabel Mercer Foundation Award, which is presented annually to an outstanding supper-club performer.
Appreciated mostly in New York and London, where she appeared several times in the late '80s/early '90s at the Pizza On The Park, Dearie, with her intimate style and unique voice, remains one of the few survivors of a specialized art.
