STREET SYMPHONY PRODUCTIONZ

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Street Symphony is an up and coming Production Company based in the city of Atlanta. Even though the company has been established a short period of time/early 07, both of its founding members Johnnie “Blaze” Williams and Steve “Stee-Bo” Bowley have extensive experience in the pop and underground culture here in Atlanta.



Stee-Bo who is originally from Maryland,has been engineering and produceing in Atlanta and it’s surrounding area’s since 2000. With patience and inside and out knowledge of the studio Stee-Bo has worked his way up thru the hip hop ranks in Atlanta. Working with many different solo artist and groups alike.He is currently working on (THE REAL HIP HOP NETWORK VOL.2 MIX TAPE)with Dj Fia it is due to hit streets in early september. Steve specializes in multi track recordings, sound frequency’s, pitch ranges, Eq levels, multi/single track sound editing, various digital (old/new) computer programs, internal/external midi devices, keyboards/sound modulators and different drum machines.



Steve “Stee-Bo” Bowley AKA -THE TECHINAL BACKBONE- Johnnie “Blaze” Williams, Street Symphony’s other co-founder has also had the opportunity and pleasure of observing and learning from some of the game’s elite. From 2001-03 he interned for the legendary SoSoDef music producer Manual Seal. Manual who is credited for producing songs like Da Brat’s classic record Funkadafied, Usher’s hit Nice & Slow, various songs from the TLC catalog, P. Diddy’s group Total and many songs from the platinum recording artist Mariah Carey. “Manual is a very hard worker, says Blaze”, by observing all the plaques and awards in his office I understood his position in the industry and knew that I had to be observant, prompt and only ask questions when relevant. At that time Manual and Legendary West Coast producer Sam Sneed (Death Row Records) had several projects that they where working on together. “I remember Sneed from his days at Death Row, recalls Blaze, I remember when he was under the wing Dr. Dre and was producing music for some of the biggest stars in the industry, I knew he was someone who had experience, knowledge and many years invested in the game. “I already had a little pre-production set up of my own which consisted of the MPC2000xl the Korg Triton, different sound modulators and The Pro Tools Digi01. This worked to my advantage because at that particular time that was the same equipment that they where working on, so the terms and lingo they where using was not the foreign to me”.

So with valuable time spent watching Sneed’s sampling techniques and drum programming, Manual’s melodic bass lines and guitar riffs, Blaze was able to take the methods he was learning in the studio and implicate them in to his own production style.

A hard grind and serious determination for good music is what these two into each others paths. With their sounds catching the ears of people from Los Angeles to Georgia own down to Florida, it’s easy to hear what the Symphony of the Street has to offer.