Singer-songwriter Ruth Gerson will release her latest album, “This Can’t Be My Life,” on July 20, 2010 via Wrong Records, her first release for the label. Gerson says, “Writing the album got me from nowhere to some- where and through the second hardest part of my life.” Originally ready for a summer 2007 release (the album was recorded, mastered and pressed), Gerson held back “This Can’t Be My Life” because of her divorce and the challenges of being a newly-single parent. “I didn’t want to leave my daughters (then 2 and 5) in New York to go on tour. I wanted to stay home.” Three years later, Gerson is ready to share “This Can’t Be My Life” with the world.
Featuring eleven original songs (an album Paul Freeman of the Daily News (Palo Alto) calls “a rock-pop master- piece”), TCBML was recorded by Nic Hard (The Bravery, Jesse Malin) with additional recording and mixing by Daniel Wise (Scissor Sisters, Secret Machines). “I’m in the best place of my life now,” says Gerson. “It was the opposite when I wrote these songs. I wrote early in the morning every day, for hours, in a vacant therapist’s office in Chelsea. In the title track, Gerson writes:
I made two lefts, I shoulda gone right, If I made one more left, it woulda been right, It can’t be, can’t be my life.
“You think change is hard, but change is easy compared to not changing,” she says. In “Fresh Air” (finished on a New Year’s Day) Gerson writes:
You killed me once, you killed me twice, Third time you killed me, I started to want back my light. Must of lost my head somewhere, Now I’m opening all the doors, Gonna make this year my very best year, You and your fresh air, should be happy together.
While off the road, Gerson went from teaching part-time to teaching full time (Gerson taught at Princeton Univer- sity and founded “The New & Used Songwriters Collective” in NYC). In 2009, Gerson moved to the SF Bay Area, and founded San Francisco Vocal Coaching. Vocal coaching and producing other artists led her to develop the SingingbeltTM – Gerson is the creator of the first bio-feedback device that teaches singers diaphragmatic breath support (http://www.singingbelt.com). “The SingingbeltTMis the reason I can go back to playing,” she says. “It makes it possible to be a musician and support my family.”
Gerson focused on writing and recording and also made an album produced by Rick Chertoff (Cyndi Lauper, Joan Osborne) and William Wittman, with guests Suzzy Roche, Byron Isaacs and Jack Rose (who passed away this past December) called “Deceived.” Scheduled for release in early 2011, “Deceived” is an album of songs – ranging from traditional folk and blues to seventies pop – about the bad things that happen to ‘bad’ girls. “The goal with Deceived is to raise awareness and funds for domestic violence organizations across the country. I grew up in a violent house. DV victims need a place to go to create a safe life with their children.” [Greil Marcus has already called the album “a triumph.”]
A New York City native, Gerson is a product of the High School of Performing Arts and a Magna Cum Laude graduate of Princeton University. She has opened for many artists, including Dave Mat- thews, Suzanne Vega, Steven Wright and Roger McGuinn. Gerson has appeared at The Newport Folk Festival, New Orleans Jazz & Heritage, SXSW, Pitea Dansar Och Ler (Sweden), ARTSCAPE, The Tel Aviv Annual Piano Fest, High Sierra Music Festival, Sotto Le Stella (Italy) & CMJ. In support of her EP “WISH,” Ruth appeared on “Late Night with Conan O’Brien.” The album “Wake To Echo” was pro- duced by John Cale collaborator Lance Doss, and the album “Fools and Kings” was produced by Don Dixon (REM). Gerson herself recently produced an album of original songs for comedian Steven Wright, “Dreams of a Dead Man,” release date TBA.
“This Can’t Be My Life” is an album that resonates with the force of life; it is Gerson’s best album to date. Press has been lavish with its praise in the past. Jon Pareles of the New York Times wrote: “With a voice that rises from tender endearments to a bluesy, impassioned growl, Ruth Gerson sings folk-rock songs that reach for the status of anthems; she’s a Bob Dylan fan. who can be as galvanic as Bruce Springsteen.” The Village Voice lauded her “huge, flawless voice [which] makes her ideas sing, and every word is welded to the beat.” And CMJ put her in excellent company: “The closest modern com- parison would probably be Sarah McLachlan, but Joni Mitchell really comes closer.Hear her now, or hear her later; either way you’ll hear her and you’ll be moved.”
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Krista Mettler / Skye Media & Design skyemedia@comcast.net
