Pure Prairie League

Location:
Nashville, Tennessee, US
Type:
Artist / Band / Musician
Genre:
Rock / Country / Pop
Site(s):
Label:
Drifter's Church
Type:
Indie
You Can Go Home Again. . .



It's rich history goes back to 1969 in the Southern Ohio area where a group of

young musicians initially played cover tunes at local bars. Original member

Craig Fuller and early member George Powell were beginning to stir their

songwriting abilities aroung the time original drummer Tom McGail happened to

catch a late night 1939 Errol Flyn flick called Dodge City. The movie's Pure

Prairie League was the woman's temperance union attempting to clean up Kansas'

most lawless town.



RCA signed Pure Prairie League after seeing them play in Cleveland, Ohio. It was

Craig, George, Tom McGrail, Billy Hinds on drums, and Phill Stokes on bass that

played that night. The first album was released the following year. "The most

memorable thing about it was the Norman Rockwell cover from a 1927 Saturday

Evening Post cover," recalls Mike Reilly.



His (Reilly's) first gig with the band was on Labor Day 1972 thanks to member

Mike Connor with whom he had worked previously. PPL's second album, Bustin' Out

was finished and they hit the road to promote the music. In February, 1973,

however, Fuller received Uncle Sams's summons to go to Viet Nam. He applied for

conscientious objector status and ended up doing alternative service in a

hospital in Covington, KY. The band was dropped from RCA soon after. "The band

was struggling at that point and we eventually parted ways", recalls Fuller.

"Even though Craig was the main founder of the three original members", says

Reilly, "Craig saw that we picked up the torch and continued with it."

Incredibly, college stations continued to play cuts from Bustin' Out until RCA

was forced to seek out the group's whereabouts. Re-signed in 1975, the band

recorded Two Lane Highway. While they were in the studio, RCA released "Amie"

from Bustin' Out as a single which has endured as a classic, being played

constantly still today.



The changing musical times made it difficult for PPL to continue creating its

same sound. As Disco dominated the airwaves, the band became aware that it too,

had to make some alterations.



Someone auditioning for the spot of the departing Gorshorn brothers brought

along a young man named Vince Gill. He hadn't intended on trying out for the

band, but after jamming for the band, they offered him the job on the spot. "We

had seen him play in 1976 when the band he was playing with opened up for us in

Oklahoma City", remarks Reilly. "We offered him the gig then, but he said, 'Oh

no, I'm playing bluegrass.' Two years later he came to Los Angeles with Byron

Berline and Sundance and after we jammed agian for a few hours, we offered him

the job again and he accepted".



For their final RCA offering in 1978, Can't Hold Back, Gill, along with the

other new member, Patrick Bolin, wrote more rock influenced country material and

they added saxophone to the tracks instead of pedal steal guitar. Although it

seemed to be an odd pairing, Casablanca signed the group and they enjoyed their

biggest success with Firin' Up's first single "Let Me Love You Tonight,"

reaching No. 7 on the Pop Charts and No. 1 on the Adult Contemporary Charts.



Personnel changes at Casablanca resulted in the loss of their deal once again

and Gill departed after three albums in as many years.



Reunited to treat us to music that sounds as good today as it did when they

first performed, PPL is touring and enjoying every minute of it. PPL has been

playing true to its origninal form. "People come to hear the music the way it

was played back then," Fuller asserts. "We may have improved upon the fidelity,

but when we do a song off one of our records, we do it just like it was

recorded."



PPL in the new millenium may be a curious prospect to band members, but the

bands longevity is a testament of the timelessness of the music. As they write

for a new project, they've returned to their roots--no sax, but peddle

steel--and it's no suprise that after all these years their sound is what

Country Radio is about, proving good music is good music no matter when it's

made or played--and you can go home again.

Feel free to join the fun over at

www.pureprairieleague.com.
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