Neo Camerata

Since its debut in 2004, Neo Camerata has been exciting audiences everywhere it travels with a new and exciting brand of original New Classical music, and a revolutionary new performance style that fuses pop culture with a rejuvenation of classical art.

The group has performed in New York's Cutting Room, Washington DC's Kennedy

Center, the Cannes Film Festival, and in Vienna's Life Ball, and has performed

its new classical show alongside artists such as Ben Jelen, Bobby McFerrin,

and Technotronic's Rejane Magloire, as well as on symphony orchestra programs

and with ballet.



Get the Neo Camerata CD "Travels" - released October 11, 2005

You could buy it from Barnes&Noble.com

or Amazon.com,

but please buy it from us right here. We charge a dollar less than Amazon, and

this way, you will be helping us to gather some cash to do our next tour, which

will be HUGELY appreciated by us! The CDs are shipped out every day, so you

will get it promptly.



Neo

Camerata "Travels" CD WTP5192



"The audience was transfixed" - D Magazine



"Everyone wants to be the guy who introduces other people to something totally

cool and amazing. Something people will remember and thank you for. Here's a

tip: grab your friends and take them to a Neo Camerata show. You'll owe me."

- Scott Rozsa, Milk Vitamin D Magazine



"These aren't your father's classical musicians. They're young, dressed-down

and prefer Depeche Mode to, say, the church choir. They are also making classical

music--that ultimately expressive but occasionally stuffy music form--into something

for all ages, what violinist/composer Mark Landson calls "new classical." Whatever

you call it, it's good. Their approach is refreshing and honest. And if Mozart

were alive today, he wouldn't be content to just play concert halls either.

"

- Sarah Hepola, Dallas Observer



"Excellent performers with propulsive energy." - Dallas Morning News



"Landson combines ageless techniques of the classical genre - development of

thematic material and structural cohesion, for example - with a distinctly contemporary

edge. But the chord progressions wouldn't be out of place in a pop song and

the rhythms have a stronger bite. It's not easy to attach existing labels onto

Landson's music. A writer for the Dallas Observer summed it simply: "Whatever

you call it, it's good."

- Tim Smith, Baltimore Sun