Saper began making electronic music somewhere around 2003/2004. Starting off with some drum & bass tracks (the harder work, not the liquid nonsense), it didn't take long before he discovered breakcore, got hooked on the genre and started to experiment with drums and rythms himself. His initial work was considered to be a crossover between sickboy and shitmat's style, however, he soon got bored with mashing up gabber kicks, jungle breaks and eurodance/pop samples ( his childhood never seized to chase and hunt him down, like a fat guy running behind an ice cream truck ) and decided it was time to try a different approach. It was around that period he had an epiphany doing shrooms, being able to clearly hear his thoughts converted in audio files stacked on top of each other in his fucked up, meshugge mind, which made him feel intrigued by the immense variation of drum hits, rhythms and anti-rhythms he was able to distinguish at that moment. After that day everything changed, his music became darker, faster and more violent. His first project got the name FLeSH WouND, setting a series of tracks about violence and murder in motion, giving him the chance to develop his own style.a mix of melancholic, yet very ominous build ups, neverending drum explosions and psychotic melodies. Combined with heavy distorted hardcore kicks and even more twisted atmos in a shell of 275 beats per minute, he soon was labeled as 'sick, twisted fuck', giving even the most vicious lawnmower a run for his money. Since his first live set in november 2006 he has had the privilege to play with artists such as Xanopticon, Giglin dildas, S.I.M on Kor Funkle, BAMBAMBAM!, Ladyscraper, Abelcain, Fanny, Matar, Sicktronick, Harry Poppins, Maladroit, Epsilon, Tripped, Eraserhead, Stivs, Thye, x&trick. and has released a couple of tracks on various compilation cds.
In may 2008, unaware of things to come, he stepped into his best friends' car, only to be kidnapped and taken to a deserted airfield in the middle of france, which soon got filled with a vast amount of soundsystems and even more djs hypnotizing the crowd with endless banging of the bass drum, resulting in 3 days of 4/4 violence. By having brought his laptop and even more luck he was able to play on one of the soundsystems and discovered new ways to create what he wanted. That hystorical day was a turning point in Saper's life, forcing him to reflect his view on hardcore music and making him not only appreciate and fall in love with it, but also start producing more 4/4 oriented tracks as well.
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