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Reviews of Outlands:
"An incredible album that really stirs the blood." Daily Record
" . . . a joyous, celebratory album that exudes sheer exhilaration." Rock 'n' Reel Magazine
"Outlands captures piping ace Fred Morrison in his free-flowing, expressive pomp on Highland pipes and their Irish and lowland cousins, as well as magnificently soulful low whistle. Great playing all round, with the title track and Kansas City Hornpipe especially giving tacit permission, just this once, to yell yee-haw at a piper." The Herald
Live Reviews:
"If a highlight can be picked from the sets then it is the Kansas City Hornpipe set. This is classic Fred, with steady, easy rhythms and great melodies, and with the supporting cast all pitching in it was a sheer delight. There are many good pipers, and a few great ones, but there is only one Fred Morrison. If you have a list of things to do before you die, then seeing him playing live needs to be on it." Piping Today
"But it was Morrison who delivered the 'coup de grace' with a performance that was almost shocking in its mesmerising subtlety and brilliance." The Scotsman
Bagpipes and bluegrass might seem unlikely musical bedfellows, but for Scottish piper Fred Morrison they form a wholly natural alliance. His latest album project, Outlands, featuring such top Americana luminaries as producer Gary Paczosa (Dolly Parton, Dixie Chicks, Nickel Creek), banjo/guitar ace Ron Block (Alison Krauss & Union Station) and Grammy-winning multi-instrumentalist Tim O’Brien, sets out to explore the inherent connections Morrison perceives between their traditions and his.
“I’ve always heard a really strong affinity between my own South Uist background and the Irish travelling pipers’ style played by people like Paddy Keenan,” he says, “and when I started playing the Irish pipes myself, I also found this deep-down rhythmic connection with bluegrass music – to me it’s as if they’re all one and the same.”
Although Morrison was born and raised near Glasgow, it’s the celebrated Gaelic piping tradition of his father’s native South Uist, in the outer Hebrides, that forms the bedrock of his intensely expressive, uniquely adventurous style. His outstanding technical prowess saw him winning many top competition prizes while still at school, meanwhile being inspired by pioneering acts like the Bothy Band and the Tannahill Weavers. Although his first-love instrument remains the great Highland bagpipes, over the years his mastery has expanded to encompass whistles, Scottish smallpipes, or reelpipes – Morrison being a pivotal populariser of this once-rare variety – and Irish uilleann pipes. He was also one of the first Scottish artists to forge dynamic links with his Celtic cousins in Brittany and north-west Spain, adding further to his repertoire of influences and tunes, and has long been renowned as an outstanding tune composer.
During the 1990s, as well as releasing his debut solo album The Broken Chanter, Morrison was a member of both the landmark Scottish supergroup Clan Alba and contemporary Celtic stars Capercaillie, featuring with the latter in the Hollywood movie Rob Roy. He has since pursued a diverse array of collaborative and solo projects, meanwhile releasing two more albums: the unanimously-lauded The Sound of the Sun, in 2000, and 2003’s dazzling duo set with Irish bouzouki ace Jamie McMenemy, Up South.
Recent career highlights range from his record-breaking seventh victory in the 2004 Macallan Trophy competition at Brittany’s Lorient Festival to the world première of his first orchestral composition Paracas: Rhapsody of the Gael – a 90-minute work performed by over 100 musicians – as the opening concert of Glasgow’s Celtic Connections festival in 2005. The following year saw the launch of Morrison’s very own signature instrument, the Fred Morrison Reelpipes, which have swiftly become a popular choice among today’s top players.
Morrison maintains a busy touring schedule, having settled into working with a hand-picked pool of leading instrumentalists, including Matheu Watson, Martin O'Neill, Steve Byrne and Ed Boyd. His current bluegrass project, meanwhile, has him more fired up than ever before – and given Morrison’s uniquely impassioned approach to music, that’s saying something. “The point I’ve reached now with my playing and my writing – it’s like everything’s just kind of at one,” he says. “I’ve never felt I was quite there with it before, but now I know where I’m at, I know what I want to do, and I know I can do it. I heard this Uist-Irish-bluegrass connection in my head, and I knew I could make it work.”
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