Beat Dimensions

Beat Dimensions Vol.2



v/a - beat dimensions vol 2 compiled by cinnaman and jay scarlett ep 1 - rush hour

RH 109-12A



1. Danny Breaks and DJ Adlib - The Sound

2. Mono/Poly - Distant From

3. Nosaj Thing - FWD

4. Kenlo Craqnuques - ZoÏd

5. Dalt Wisney - R2FUX



v/a - beat dimensions vol 2 compiled by cinnaman and jay scarlett ep 2 - rush hour

RH 109-12B



1. Dizz1 - Konotakosuke Yaro

2. Dimlite - Ravemonds Young Problems

3. Samiyam - Swamp Tarts

4. Dorian Concept - Be Tween

5. Fulgeance - Haggis



v/a - beat dimensions vol 2 compiled by cinnaman and jay scarlett ep 3 - rush hour

RH 109-12C



1. Tiago - Bable Fish

2. Mike Slott - Cadeting

3. P.U.D.G.E. - Reign Dancing With The Stars

4. Ras G - Crazy Alien

5. Devon - Welts

6. Erik L - Soularp Suite part 2



v/a - beat dimensions vol. 2 (7-inch) - rush hour

RH 109-7



1. Low Limit - Turf Day

2. Busy - Ecliptic Armilla



Beat Dimensions Vol.2 T-shirt



bd vinz shirt - beat dimensions tee - rush hour

RH BD VINZ



Buy Beat Dimensions records or t-shirt at



Rushhour



Send me your track



Beat Dimensions Album In Stores April 24th. (Benelux only) worldwide 24th may 2007



Selected Quotes & Words From The know It alls



"Man, Dilla is messing with a lot of people heads" -



DJ Spinna

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"If music is the weapon then Jay Scarlett is killin' them! Beat Dimensions is ample ammunition for the future of brilliant music."



Dj Junior (Recordbreakin.com | Eavesdrop Radio-Philly)

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Beat Dimension Vol 1. -

A mature debut of cerebral beats and intelligent future funk by some of today's leading producers of left field soul inspired music. This benchmark album of innovations showcases a sampling of infectious beats by some up-and-coming artists to watch out for, as well as more established producers of this genre, taking you to that next level - one step beyond. to the outer limits. Highly recommended!



(John Brunelli, Breaktime Radio, WHRW-FM, Binghamton, NY - USA)

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"Finally a beat compilation that features what's next in musicianship, production, and bangin' beats. Jay Scarlett has an ear for what is the 'future' and this compilation proves that!" "I wanted to take it out of my cd player, but my girlfriend won't let me What's going on?!" "I can listen to this while making sweet love, on the toilet, or w/ my mother. Not many compilations that can do this." "Beat Dimensions is a superb display of producers on the rise. Carefully crafted and hand picked by the always on point Jay Scarlett, Beat Dimensions showcases what's 'next' in the relm of production and beatmaking Highly Recommended!"



Jonathan Kim (Sound in Color / Turntable Lab LA)

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beat dimensions is quite simply the future. The most succinct representation to date of this new & exciting scene with no name."



(Aaron Fatcity Records)

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"ugh! each track's ridiculous!! whole comp doing big things soon come"



andrew meza (BTS Radio/Ubiquity)

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“Pure Dope, excellent selection. Another ‘must have’ from the Rushhour Camp”



Matthias Desch, (Bogaloo Radioshow, club bogaloo)

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"World's dope beats as you hear, compiled interactively with love and energy. Great NEW compilation.!!"



Dai Kurihara (Tri- Eight/Tokyo)

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Some say Hip Hop died with Jay Dilla. This collection of fine beats is a perfect example that this is not true. Proper excitement from a collection of well known and upcomin artists who give a taste of their constant quest for the extraordinary. If you havent heard this you cant say youre up to date!



Dirk Rumpff (Groove Mag/OffTrack Radio)

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Great NEW compilation.!!

"Really into the FlyanSam, the Mweslee and Up Hygh - those are great! Top headnod selection all the way though, right up my street.



Alex Robinson (Stones Throw UK)

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GOOD GOD!!!

you guys got some crazy shit on here!

Yeah man, those beats are crazy. My neck's still hurtin from em! Haha.

can't wait for 03



(Kenny Bling47.)

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these beatz are from the far future! WOW! of the f*** hissay



Matt Flores (/Producer/Dj/Compost Black Label/Various)

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"the finest collection of futuristic beats from the spacek set - like blade runner in your speaker - the J todd is killing me man. soooo heavy



Jonny Miller (Jus’Listen Recordings / Phuture Lounge)

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beat dimensions is an intoxicatingly beautiful subdefuge of silkenly woven beats and an aural pantheon of intoxicating synths



jason knight (360-X.com)

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"This compilation is dope! Quality, forward-thinking material. All the tracks are killin' it."



Erik Schneider (giantstep)

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cinnaman & jay scarlett present - o.boogie feat tableek (maspyke) - paper chaser - rushhour

RH 106-12d - eu12'



1. O.Boogie Feat Tableek - Paper Chaser

2. Paper Chaser (Mweslee Remix)

3. Paper Chaser (Instrumental)

4. Paper Chaser (Tom Trago Remix)

5. Paper Chaser (Mweslee Instrumental)



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Kerouac introduced the phrase Beat Generation sometime around 1948 to describe his friends and as a general term describing the underground, anti-conformist youth gathering in New York at that time to the novelist John Clellon Holmes (who published an early novel about the beat generation, titled Go, in 1952, along with a manifesto of sorts in the New York Times Magazine: "This is the beat generation"). The adjective beat (introduced to the group by Herbert Huncke) had the connotations of "tired" or "down and out," but Kerouac added the paradoxical connotations of upbeat, beatific, and the musical association of being "on the beat."

Calling this relatively small group of struggling writers, students, hustlers, and drug addicts a "generation" was to make the claim that they were representative and important—the beginnings of a new trend, analogous to the influential Lost Generation.

In trying to define the "Beat Generation", it is important to note that the term was originally used to refer not only to Kerouac's inner circle, but to the burgeoning counter-culture as well. The press used the term in reference to a small group of writers, the friends of Ginsberg, Kerouac, or Burroughs, and a joke among Beat writers (attributed to both Gregory Corso and Gary Snyder) persisted in various forms: "Three friends does not make a generation." A narrow definition of the Beat Generation would include only those who consistently defined themselves as "Beat" writers: Ginsberg, Kerouac, Neal Cassady, Gregory Corso, and Peter Orlovsky. If "Beat Generation" is defined broadly, the smaller group is called "The New York Beats." In this sense, movements like the San Francisco Renaissance and the Black Mountain poets would be completely separate movements. Defined broadly, (the way William Blake is defined as a Romantic poet), other writers who reached prominence in the late 1950s, early 1960s, who shared many of the same themes, ideas, intentions, etc. (for example, dedication to spontaneity, open-form composition, subjectivity, and so on),



Today That Underground society has resurfaced in the form of a collective of beat Makers who are occasionally called the "second wave" of the Beat Generation or know as Beat Dimensions Vol 1 an allsorted movement of young enthusiatic Musician using technology to bridge the gap. jay dilla R.I.P no doubt opened the book on offbeat swing we just need to keep filling the pages watch closely!!



By either definition, the members of the Beat Generation were new bohemian ecstatic epicureans, who often engaged in spontaneous creativity. The style of their work may seem chaotic, but the chaos was purposeful; it highlighted the primacy of such Beat Generation essentials as spontaneity, open emotion, visceral engagement in often gritty worldly experiences. The Beat writers produced a body of written work controversial both for its advocacy of non-conformity and for its non-conforming style.



BEAT DIMENSIONS @ PARADISO, AMSTERDAM



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Beat Dimensions @ Sonar 2007 Live



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Dimlite – Ravemond's Young Problems from Ehstrawlogy Produkte on Vimeo.