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or, what remains of it. a little tinny in the echo chamber of the front of the varsity, but a great tribute to michael, who was never afraid to play a cover or two. when i first started taping hedges (better than 30 years ago) i must admit it was partly because i wanted to make my d28 sing like his. i soon realized that futility. it is though, wonderful that there are some great fingerstylists who are able to cover his work with precision and passion. andrew is one.