Ananda Shankar

To most people, "India's greatest musician" means Pandit Ravi Shankar, whose ragas briefly pacified the world in the tumultuous 1960s. And there are those who say Ravi's wife was better than he. But it was Ravi's nephew Ananda who became the voice of modern India in all its contrasting elements. In ways never previously imagined --much less executed even by other master musicians-- he alone merged Indian and western, classical and rock, lyrical and funky, exotic and commercial, traditional and progressive. Given the enormity of the task and the sharp contrast between his success and the failures of so many "raga rock" practitioners, Ananda Shankar can be seen as one of the greatest musical figures of the twentieth century.



The son of famous arranger-choreographer Uday Shankar & dancer Amala, Ananda had all of the expertise, talent, and perfectionists' dedication of the previous generation. He studied five years under Dr. Lalmani Misra, head of the Department of Music at Benaras Hindu University; following his intense tutelage, he spent two years abroad, where he studied western classical and pop as well as multi-media. While his ability to perform and compose rivalled that of his famous father and uncle, he identified more with his own generation.



His 1970 debut album on Reprise featured covers of tunes by the Rolling Stones and the Doors as well as his own (better) music. The album's success led to an expansion of his orchestra including dancers and multi-media effects. His wife Tanusree choreographed. After his first Indian LP was released, Ananda's music became a fixture on radio, television, and in theatre. Airlines, fashion shows, and the film industry recognized his as the modern sound of India. Even years after his death, his music can be heard at least on U.S. radio and in fashion shows, thanks largely to a reissue and a compilation.



Ananda was the great modernizer of Indian music, as influential as Mighty Sparrow and Kui Lee were in updating and promoting their respective traditions. He won the Indian equivalent of a Grammy Award for the score of "Chorus" in 1974. Other soundtracks featuring his work may have been released in India. Throughout his career, his sound remained fairly consistent, and his vision never flagged until his untimely death. Yet India and the world still have not completely caught on to his talent and significance.